Micrography prints
One letter. A room with a centre.
Fine ink drawings built entirely from the alphabet itself — every stroke made of thousands of smaller letters. Hung above a desk or a sideboard, a single piece gives a whole wall its focal point.
Available now
Two alphabets, one hand
The English alphabet is complete — twenty-six finished pieces, each with a palette of its own. Collect one, or hang three together and let the wall do the talking.
Home and office
What it does to a room
These are quiet pieces. They hold a wall without raising their voice, and they reward anyone who steps closer — which makes them good company in the places where people wait, work and talk.
Above a desk
Detailed enough to rest your eyes on between tasks, calm enough not to compete with a screen.
Along a hallway
Two or three letters in a row turn a corridor into something worth slowing down for.
In a meeting room
Warm neutrals and fine texture soften glass and grey without pulling focus from the table.
Over a sideboard
One large piece, centred, is usually all a long wall needs.
The craft
Set by hand, letter by letter
Every piece begins as a single letterform and is filled, by hand, with thousands of miniature letters — the alphabet written out over and over — until the shape holds from across the room. The colour is built the same way: no gradients, only letters in different inks.
Reads at every distance
A confident silhouette from four metres, a dense field of texture from forty centimetres. The piece keeps giving as you walk towards it.
Colour that comes from the ink
Every tone is made of letters rather than washes, which is why these palettes sit so easily beside wood, linen and plaster.
Prepared for the wall
Files are rendered per size at 300 DPI, so the smallest letters stay crisp whether the piece is 28 or 60 centimetres tall.